a god show by SLAC, Yukon Arts Centre, November 25, 2022-February 18, 2023 by Helen O'Connor

About a god show:

This exhibition grew out of a SLAC gathering in summer 2019 when a large part of the meeting had been focused on worldly problems and the seemingly inadequate governmental and societal responses. However, on reflection, no one had mentioned a spiritual perspective or solution. This realization sparked the idea to reflect on “God/god” for an exhibition.

While for some spiritual beliefs are the central operative tenet of their lives for others the word ‘god’ and the church were the problem and not a solution. Many fell somewhere between those poles but for all the exhibition was a lens to explore their connection to something greater than themselves. Each of the artists addressed this personal subject with a diversity of materials and outlooks.

The Southern Lakes Artists Collective (SLAC) was formed during an open house at the Ted Harrison Artist Retreat. It was conceived as a result of informal conversations among artists from the Southern Lakes region that afternoon. At the core, SLAC is an artist peer network – a place to share knowledge, skills and discuss art in a critical and thoughtful manner.  


Barco y Cielo from a god show – Helen O’Connor Artist Statement

 

Barco y Cielo is made with paper that I made and wood that I harvested. The process of hand papermaking is a transformative process that fills me with wonder. It engages both my mind, as it fills with evolving ideas, and my body, as I gather, cook, and hand beat plant fibres. The resulting paper and eventual artwork retain the essence and natural beauty of its origin. The effect of handmade paper in combination with light is spiritual.

 

Kozo, the fibrous plant I work with is a traditional fibre used for Japanese papermaking. The word for paper in Japanese, kami, is also their word for god. Paper can be found adorning Shinto shrines honoring kami (gods) found in nature.

 

When the idea of ‘god’ was posed as a theme for this show I had two images come to mind. The first, an illuminated dome, is inspired from a creation myth in the Kalevala, a collection of Finnish myths and songs.

 

The second, a floating magical boat. Boats can symbolize the journey in and out of life. Its form embodies the voyage of life, at once a cradle and a tomb.

                                                     

On a personal level, boats remind me of my father, grandfather, and uncle who once fished the waters of Loch Derg, in their homeland, Tipperary, Ireland and of my own experience as a child, bass fishing with my father, in Muskoka, Ontario.

 I would like to acknowledge the land that I gathered the spruce and willow for this project as the territory of the Carcross Tagish First Nation. For this privilege I am very thankful. As well I would like to acknowledge the mentorship of Teslin First Nation artist, Doug Smarch Jr. for guidance with harvest and structure. Gùnèłchīsh!

 

 

 


Masters of Visual Art Education 2018-2020, University of Victoria, B.C. by Helen O'Connor

Studio Explorations/Beach as Studio - I make art and seek connection to place through plant life. My first summer in Victoria, 2018 as graduate student, I explored the rich environments of sea and garden seeking plant life to use as material for artmaking. Each environment has unique characters that attract me and arouse in me creative impulses. At the seashore I feel energized and invigorated by the sounds of endless waves, the salty air and the wind. I feel connected to my Celtic roots and am fascinated by the plant and animal life beneath the water’s surface. I found myself attracted to strange bulb-shaped kelp plants and spent hours in exploration of kelp as art material. I sat on the beach twisting, winding and running my hands across the smooth wet surface of kelp to wrap found drift wood sticks. My physical engagement with kelp as art material is performative in nature and concerned with materiality. The material’s “thing-power” (Bennet, 2004) influenced my exploration and making. The resulting coiled curvy green sculptures are reminiscent of snakes and reminded me of a story about mistaking a stick for a snake.

Beach exploration 2018 - Kelp seaweed is an incredible sea plant. Strong and flexible like leather. I wrapped found beach driftwood to create green snake-like sculptural works.

Found Paper at the Frog Pond, 2019 - During the second summer cohort session in Victoria I was prompted by fellow graduate student, Crystal Loszchuk, pictured above during a pond scum harvest, to investigate found paper as art medium. The paper is formed by scooping matted masses of algae scum from the surface of a pond and then letting it dry on a cement or rock surface. The unique, wild and textural paper inspired me to create costumes that I eventually wore for exploratory photo sessions building on my art practice’s performative trajectory (see short film Running With Paper). By wearing my materials (my art creations) I become a mythic character that is part of nature creating a new story.

Masters of Visual Art Education 2018-2020, University of Victoria by Helen O'Connor

Collaborating with fellow cohort graduate students Gamelle FitzGibbon and Wilerine Dolan, 2019

Myself with fellow cohort graduate students Gamelle Fitsgibbens and Wilerine Dolan, 2019

Creating a Community Studio - An important and wonderful aspect of the M of Vis Art Ed Cohort format is the opportunity to work side by side in a community studio space. The atmosphere is condusive to collaboration, influence, comraderie, discussion and consults. The intimacy of space facilitated an intimacy of relationship that allowed for creative freedom, great strides of exploration and much sharing. The space was open at all hours and I enjoyed some late nights indulging in creative play. Below see Visual Dialogue assignment, 2018, with cohort graduate student Jaafar Aghajanian, where I deconstruct his oil painting and reframe it with paper pulp to create a work for us to collaboratively explore in a multitude of formats.

Summer Cohort Session 2020

Due to the world Covid 19 pandemic the 2020 session is Zoom-based and suitably focussed on digital presentation with UVic, Assistant Professor, Dr. Natalie Leblanc. We are all stuck in a strange virtual world! Ingrid Hauss, featured here, likens the…

Due to the world Covid 19 pandemic the 2020 session is Zoom-based and suitably focussed on digital presentation with UVic, Assistant Professor, Dr. Natalie Leblanc. We are all stuck in a strange virtual world! Ingrid Hauss, featured here, likens the experience to being in a virtual fish bowl.


Theatre in the Bush by Helen O'Connor

Slide projections Roots on Kozo at Theatre in the Bush, Sept 2018

Slide projections Roots on Kozo at Theatre in the Bush, Sept 2018

Theatre in the Bush is presented by Ramshackle Theatre, Whitehorse, Yukon. My on-site interactive installation Weathergrams is inspired by calligrapher and professor Lloyd Reynalds. I hung huge sheets of handmade Kozo paper in the woods for projecting images of plants and roots. Participants used pen and ink, stone wax stamps and analogue typewriters to express a poetic thought or poem on stips of handmade paper that were tied to branches and left out to weather. Click here for more information about the socially engaged practice of Theatre in the Bush.

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Weathergrams at Theatre in the Bush, Sept 2018

Weathergrams at Theatre in the Bush, Sept 2018

Typing station, Theatre in the Bush, Sept 2018

Typing station, Theatre in the Bush, Sept 2018

Weathergrams getting weathered - Theatre in the Bush, Whitehorse, Yukon 2018

Weathergrams getting weathered - Theatre in the Bush, Whitehorse, Yukon 2018

Art of the Book 2018 by Helen O'Connor

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This beautiful show opened yesterday. I am fortunate to have had an artist book selected by the prestigious jury to be in the exhibition that will tour across the country for two years! The opening was a great opportunity to meet other artists who love paper and understand its value as an expressive medium. Connecting with other artists who share similar sensibilties is important to me. It oftens opens up opportunities to collaborate. 

The Irish Donkey which is part of the Art of the Book 2018 exhibition is a 1/2 leather handbound book with an embossed cover. The cover paper used is pigmented flax that I made with a Reina beater. The size is 6"x8". Whitehorse bookbinder …

The Irish Donkey which is part of the Art of the Book 2018 exhibition is a 1/2 leather handbound book with an embossed cover. The cover paper used is pigmented flax that I made with a Reina beater. The size is 6"x8". Whitehorse bookbinder Mary Hudgin was my mentor for the hand bookbinding process.

 

The book is made up of a variety of paper I made with fibres such as hemp, flax, kozo and cotton. 

The book is made up of a variety of paper I made with fibres such as hemp, flax, kozo and cotton.

 

The book is inspired by stories from my parents' childhood in Ireland as well as my experiences there. 

The book is inspired by stories from my parents' childhood in Ireland as well as my experiences there. 

The content is hand written stories and poems, sketches, printmaking and watercolours.

The content is hand written stories and poems, sketches, printmaking and watercolours.

Created at the Canyon by Helen O'Connor

Created at the Canyon 
This past summer I was one of six local artists selected to create original works of art inspired by the culturally and ecologically significant landscape of Miles Canyon and the Yukon River. This project was sponsored by the Yukon Conservation Society.

Featured artists:
Shirley Adamson – painting, storytelling
Gorellaume – ink drawing
Anne Hoerber – encaustic (wax) painting
Françoise La Roche – tapestry/rug hooking
Helen O’Connor – paper making and sculpture
Sheelah Tolton – painting and sketch

 

I made a sized cotton rag paper with inclusions of local willow leaves for on-site watercolour painting. 

I made a sized cotton rag paper with inclusions of local willow leaves for on-site watercolour painting. 

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